GRE阅读解题的排除法

GRE阅读如何解题才能又好又快，有哪些技巧呢。下面小编就和大家分享GRE阅读解题的排除法，希望能够帮助到大家，来欣赏一下吧。

GRE阅读：解题的排除法

1.　精确定位排除法

如果前两种方法均不可以使用的话，我们就只能将选项精确的在文中定位，找出选项和阅读文章中的对应关系，注意选项中的同义代换与原文是否对应。有时会出现这样的情况，选项中有四个是和题目的关键词定位在一个段内的，但其中一个选项却定位在了另一个段落内，那么这个选项就是答案。

注意：正确答案一般是作者在文中明确反对过的，或者是根本未提到，再或者就是定位的段落未提到的(选项的关键词落在别的段落)说法。

2.强对比排除法：

如果题目中是关于A的提问，但是原文中没有直接给出与A相关的描述。不过，文中出现了与B相关的特征描述，而B呢正好是与A形成强烈对比的对象。那么我们只需要把B的特征取非就可以得到答案了。一般文章中会出现unlike，in contrast to, compared with,阅读的过程中遇到该类别的关键词注意要做笔记。

3.无关信息排除法:

如果某一个选项和文章大意没有关系或者根本没有提到过，那么它一定就是正确答案了。因此，在阅读的过程中要留意文章每段的中心意思，理出文章的写作思路，以此来作为细节判断的依据。

GRE阅读文章如何复习

宏观中的“必读”与“不读”

所谓宏观，即使明确文章结构。再清楚一点说，即使我们要知道主题句的所在位置以及每段大意。

让我们今天来了解一下什么是主题句，的阅读文章中主题句通常会以什么形式出现。和中国考生自己写作文不一样的是，美国人的阅读文章中从来都不出现"I think that, in my opinion, as far as I am considered"此类语言做主题句。通常来说美国人的主题句有两种形式：

主题句两种形式：

1. 判断句(含情态动词，系动词，正负褒贬词的句子);

2. 概括文章将来结构。

比如一个句子：Your minds changed my attitude. 这句话中并没有情态动词和系动词，因此这句话自然不是判断句，也就不是主题句。但只要在这句话中加入一个正负褒贬词，即一个词表明作者的态度或观点的词即是判断句了。

比如，Your minds successfully changed my attitude即是判断句了。另外，如果一个句子不是判断句，只要它能够概括文章将来结构，及文章后面会从哪几个方面来说明，也是主题句。

比如，People are living longer now. 这句话一定不是主题句，而如果这句话是，People are living longer now since the improvement of food condition and the development of medical technoly.这句话即是主题句了。因为它概括了文章后面会从哪几个方向来进行说明。

掌握好了主题句判断方法，很多文章学生便可以很快把握文章的结构框架，帮助后面文章的理解。比如一篇文章的开头是，Mycorrhizal fungi infect more plants than do any other fungi and are necessary for many plants to thrive, but they have escaped widespread investigation until recently for two reasons. First, the symbiotic association is so well-balanced that the roots of host plants show no damage even when densely infected. Second, the fungi cannot as yet be cultivated in the absence of a living root. 第一句是明显的判断句，即为主题句。

而主题句也同时概括了文章的将来结构，即会从“M真菌影响力很强”和“M真菌过去由于两个原因没有得到广泛研究”。

下面马上看到了first和second，我们即知道这两个很难读懂的句子无非是两个原因使得M真菌没有得到广泛研究而已，具体是哪两个原因，我们几乎可以忽略不读。

微观中的“必读”与“不读”

所谓微观，即使明确句子结构。再清楚一点说，即使我们要知道句子主干大意及和上下文的关系。

说到可以不读的内容，很多同学都会想到插入语可以不用读。可什么是插入语呢?两个逗号之间的内容一定是插入语吗?今天，让我们重点来了解一下插入语。首先，我们知道并不是两个逗号之间的内容一定是插入语，很多同学会被传统的老师所误导，误认为判断插入语只要看是不是逗号间内容在解释逗号前内容即可，可是如果插入语不读的话，你有时如何知道这是对逗号前内容的解释呢?其实，插入语有两种形式：

插入语两种形式：

1. 对主语说明

________,which / who / n. / prep. / -ing / -ed……,________.

2. 对主语举例

________,such as / especially……,________.

因此，我们只要看到第一个逗号之后紧跟着which / who / 介词 / 动名词 / 动词的过去分词 / such as / especially 的情况或两个逗号间仅有纯粹的名词时，那这从第一个逗号开始到后面最临近的标点符号(逗号或句号)间内容一定是插入语，往往可忽略不读。而我们唯一重点需要读的只有句子的“主、谓、宾。”

准备复习时的“读”与“不读”

很多同学都会痛苦，复习阅读进步不大，甚至有的时候反而比开始时错的还多。我认为，这主要是学生的复习方法不得当导致的。很多同学在复习准备阅读时，通常会一天一篇文章的做题，这不仅不能帮助你归纳掌握GRE阅读技巧，相反是在浪费时间。

最好的复习阅读的方式是开始并不直接读文章做题，在已经掌握了一定量的单词，并强化训练了长难句的基础后，保证集中突破强化复习。即，每天精读6-8篇文章，大概持续2周左右。所谓精读即清楚了解文章中微观的每一句话的意思及在全文中作用，以及完全明白每一个选项。这样有助于帮助学生总结归纳文章和出题规律。

GRE阅读文章练习：英国女演员的地位

In the past, only men could become actors in some societies. In the ancient Greece and Rome and the medieval world, it was considered disgraceful for a woman to go on the stage, and this belief persisted until the 17th century, when in Venice it was broken. In the time of William Shakespeare, women's roles were generally played by men or boys.

When an eighteen-year Puritan prohibition of drama was lifted after the English Restoration of 1660, women began to appear on stage in England. Margaret Hughes is credited by some as the first professional actress on the English stage. This prohibition ended during the reign of Charles II in part due to the fact that he enjoyed watching actresses on stage. The first occurrence of the term actress was in 1700 according to the OED and is ascribed to Dryden.

In Japan, men (onnagata) took over the female roles in kabuki theatre when women were banned from performing on stage during the Edo period. This convention has continued to the present. However, some forms of Chinese drama have women playing all the roles.

In modern times, women sometimes play the roles of prepubescent boys. The stage role of Peter Pan, for example, is traditionally played by a woman, as are most principal boys in Britishpantomime. Opera has several "breeches roles" traditionally sung by women, usually mezzo-sopranos. Examples are Hansel in H?nsel und Gretel, Cherubino in The Marriage of Figaro and Octavian in Der Rosenkavalier.

Women in male roles are uncommon in film with the notable exceptions of the films The Year of Living Dangerously and I'm Not There. In the former film Linda Hunt played the pivotal role of Billy Kwan, for which she received the Academy Award for Best Supporting Actress. In the latter film Cate Blanchett portrayed Jude Quinn, a representation of Bob Dylan in the sixties, for which she was nominated for the Academy Award for Best Supporting Actress. Women playing men in live theatre is particularly common in presentations of older plays, such as those of Shakespeare, that have large numbers of male characters in roles where the gender no longer matters in modern times.

Having an actor dress as the opposite sex for comic effect is also a long-standing tradition in comic theatre and film. Most of Shakespeare's comedies include instances of overt cross-dressing, such as Francis Flute in A Midsummer Night's Dream. The movie A Funny Thing Happened on the Way to the Forum stars Jack Gilford dressing as a young bride. Tony Curtisand Jack Lemmon famously posed as women to escape gangsters in the Billy Wilder film Some Like It Hot. Cross-dressing for comic effect was a frequently used device in most of the thirty Carry On films. Dustin Hoffman and Robin Williams have each appeared in a hit comedy film (Tootsie and Mrs. Doubtfire, respectively) in which they played most scenes dressed as a woman.

Occasionally, the issue is further complicated, for example, by a woman playing a woman acting as a man pretending to be a woman, like Julie Andrews in Victor/Victoria, or Gwyneth Paltrow in Shakespeare in Love. In It's Pat: The Movie, film watchers never learn the gender of the andrynous main characters Pat and Chris (played by Julia Sweeney and Dave Foley). A few roles in modern films, plays and musicals are played by a member of the opposite sex (rather than a character cross-dressing), such as the character Edna Turnblad in Hairspray—played by Divine in the original film, Harvey Fierstein in the Broadway musical, and John Travolta in the 2007 movie musical. Linda Hunt won an Academy Award for Best Supporting Actress for playing Billy Kwan in The Year of Living Dangerously. Felicity Huffman was nominated for an Academy Award for Best Actress for playing Bree Osbourne (a male-to-female transsexual) in Transamerica.

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