兵马俑英语导游词5篇

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  导游词是导游人员引导游客观光游览时的讲解词,是导游员同游客交流思想,向游客传播文化知识的工具,也是应用写作研究的文体之一。以下是小编整理的兵马俑英语导游词5篇,欢迎阅读参考!

  兵马俑英语导游词(1)

  Ladies and gentlemen, good morning, Today, we are going to visit the Museum of Terracotta Warriors and Horses. This museum is located at the foot of mountain Li Shan, about 35 kilometers east of Xi’an.First, I will give you a brief introduction about the master of this underground army---the First Qin Emperor, Yingzheng. He came to the throne at the age of 13 and seized the power at the age of 22 . By 221BC, he had annexed all the six independent states and established the first centralized autocratic feudal empire in the long history of China.

  After the unification of the whole country, he styled himself the First Emperor and standardized the coinage, weights and measures, the legal codes, the written scripts and so on. He also ordered the linkage of the original Great Wall. All these exerted an everlasting influence on the long feudal history of China. But the First Qin Emperor was very ambitious. As soon as he came to the throne, he ordered that a magnificent mausoleum should be built for him. It took 37 years to complete this great project. Actually, the site of those terracotta warriors and horses we now see is just a small part of his mausoleum.

  Ok, everyone, now we are standing at the front gate of the Eighth Wonder of the world---the Museum of Terracotta Warriors and Horses. As one of the top ten places of historical interest in China, it was also listed as a world heritage site.So next, let’s go to uncover the veil of this miraculous work.

  In March 1974,when several farmers were sinking a well about 1.5km east of the First Qin Emperor’s Maosolem, they came upon many fragments of the terracotta figures.The results of archaeological excavation showed that is two more pits were discovered respectively.They were then named pit1,pit2, and pit3 by the order of discovery.The new discovery stirred up a sensation all over the world.In order to provide the historical artifacts with adequate protection, a musem was set up on the site of Pit 1 in 1975 upon the approval of the state council.

  Pit 1,covers an area of 16,300 square meters, is an earth-and-wood structure in the shape of a tunnel. The terra cotta armies in pit 1 were arranged in battle formation. In the front of this formation, there are 210warriors in 3 lines facing forward. Armed with bows and arrows, they constitute the so-called vanguard. Meanwhile, there is one row of warriors on each of the borders of this pit, facing outward---they are the flanks and the rear guard. Holding long-distance shooting weapons, they took up the job of defending the whole army.Then, this way please. We may find ten partition walls which divided this pit into 11 corridors. The warriors standing inside them with horse-drawn chariots represent the principal military force of this battle formation. According to the density, there are over 6000 terracotta warriors and horses, and most of them are infantrymen.

  Ok, Here now we arrived at Pit 2. we can see that Pit 2 is still under cover, that’s because we want to preserve them. Pit 2 consists of 4 different mixed military forces in four arrays, they are infantrymen, cavalrymen, archers and charioteers .And pit 2 also include many chariots and horses. They can be divided to act independently, capable of attacking, and defending with a quick response. As you see, those worriors, their feet, legs, bodies, necks, hands and heads, all with different faces, were all made separately and joined together. we may find they are all vivid and true to life.And also as we can see, here are some actual weapons unearthed in those pits. The most

  attractive one is a bronze sword. Although it was buried over thousands of years, it is still very sharp. It can cat through 20 pieces of paper put together.

  Now we come to pit 3. Pit 3 covers an area of about 520 square meters. There are only 68 warriors and 4 clay horses. The warriors were arranged opposite to each other in two rows, and only one kind of weapon called “SHU” had been discovered. This kind of weapon has no blade, and is believed to be used by the guards of honor. We have found many animal bones in the north side, and it is supposed to be “Prayer Hall”, and “Commander’s office” is on the south side. This suggests pit 3 is the headquarters directing the whole underground army.

  Then we have arrived at the exhibition hall of Bronze Chariots and Horses. In 1980, two sets of large painted bronze chariots and horses were found. They broke into thousands of pieces when we found them and after 8 years’ careful restoration; they were rebuilt and open to the public. The first one was named “High Chariot” and the second one was called “Security Chariot”. They were the eariliest and most exquisitely and intricately made bronze valuables,and also the largest bronze wares discovered in the history of world archaeology.It provides extremlyvaluable material and data for the research of the metallurgical technique and technological modeling og the Qin Dynasty.

  So now we will finish our journey in the museum today, I believe that you must be very astonished at this world wonder.So it’s your time,you can work around and take some pictures. thank you for listening~

  兵马俑英语导游词(2)

  Emperor Qin Shihuang’s Mausoleum and the Terra-cotta Warriors and Horses Museum

  Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China’s history.

  In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China’s dynasties had continued to call themselves Huang Di, the emperor.

  After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against harassment by the Hun aristocrats. Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China’s 2,000 year old feudal society.

  Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China’s ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those events were later called in history“the burning of books and the burying of Confucian scholars.”

  Emperor Qin Shihuang,for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.

  Emperor Qin Shihuang’s Mausoleum has not yet been excavated. What looks like inside could noly be known when it is opened. However, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang’s Mausoleum was.

  No.1 Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of No.1 Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of No.1 and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979.

  No.1 Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from No.1 Pit.

  No.2 Pit sis about half the size of No.1 Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters high and two metres long. According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirups.

  兵马俑英语导游词(3)

  Dear visitors:

  Hello, I am a tour guide Shen Rui, today very happy by my guide to visit the qin Terra Cotta Warriors, I hope you don't want disorderly throw of debris-brick, thank you.

  Qin Terra Cotta Warriors is one of the eight wonders in the world. The Terra Cotta Warriors in xi 'an lintong unearthed, is famous in the world of precious historical relics.

  Terracotta warriors scale, which has been excavated three pit with a total area of 20000 ordinary meters, nearly eight thousand pit with the warriors. In three pits, a pit, the biggest thing long 230 meters, north and south 62 meters wide, with a total area of 14260 square meters; The pit of the Terra Cotta Warriors is also the most, there are more than six thousand, is now above the no. 1 pit has built a huge vaulted hall. The pit of the Terra Cotta Warriors, rows rows. Very neat, formed a huge army of rectangle is just like a qin shi huang was commander in chief travelling an invincible army. Many types of terracotta warriors scale not only, and personality is distinct.

  You see, the general figurines, warrior figurines, knight, TaoMa, each of the terracotta warriors is a beautiful work of art. Look carefully, of different: some moment low eyebrow thoughtfully, as if considering how to cooperate with each other, defeat the enemy. Some eyes, stately, seemed to be determined, bloody oath for qin unified the world.

  Qin Terra Cotta Warriors in the sculpture is unique in the history of ancient and modern, Chinese and foreign, arrange it perfectly simulate the ranks, the vivid emersion qin soldier millions, thousand chariots magnificent momentum.

  Thank you to visit the terracotta warriors, I hope you come again next time, I wish you good health, work smoothly.

  Dear visitors, everybody! I am your tour guide, surnamed xu, today I to lead everybody together are on a tour of the huge military museum, should take good care of cultural relic, when visiting, please don't litter.

  Qin Terra Cotta Warriors of xi 'an unearthed in China, the total area of 20000 square meters. Deep pit layout is reasonable, the structure is peculiar, pit 5 meters, set up a east-west main wall every 3 meters. Army, tall, armed with bronze weapons, these weapons have buried more than two thousand years, still if brightness is new. You feel very surprised!

  Ok, say so many, everyone to look at the general figurines! He crown, and a general figurines burly, wearing armor, cold light shinning sword in hand, chin and looked to the point, if it had been arranged that the countermeasure, waiting for the enemy to send to your door. By the way, it is said that before the qin dynasty, the emperor is looking for the living to compensate was buried after death. Later, a minister of emperor qin shi huang said: "previous dynasties but with buried the living. I think it is not very appropriate to you. Let create a skillful craftsman made of dirt that you have conquered, invincible army?" Qin shi huang think this idea is very good, agreed. So he formed the scale of qin Terra Cotta Warriors.

  We are moving the warriors. Terracotta warriors average about 1.8 meters tall and powerfully built, fit, they are wearing a shirt, wear armor, feet front end up war boots cock, armed with weapons, ready to go.

  Light has soldiers, there is no war not mark. You look at the horse, a horse horse body, muscle fullness. The itch to try, if commanded, casting its hooves, rose and set off on a journey.

  Qin Terra Cotta Warriors, is unique in DiaoSuShi of ancient and modern, Chinese and foreign. Arrange it perfectly simulate the ranks, vividly the qin soldier millions, thousand chariots grand momentum, vividly demonstrates the power of the Chinese nation and heroism. I wish you all have fun, fun.

  兵马俑英语导游词(4)

  The Museum of Terracotta Warriors and Horses Ladies and Gentlemen: Good morning. I’m you local guide Theo. Now we are heading to the eighth wonder of the world –the Museum of Terracotta Warriors and Horses. The museum is located at the foot of Mt.Lishan, about 35 kilometers east of Xi’an. There are three pits of warriors and horses and two bronze chariots have been found.

  The first pit was discovered in 1974 when several farmers were sinking a well. In order to protect this terracotta army, the Chinese government built a museum in 1975, and it was officially open to the public in 1979. The Museum of Terracotta Warriors and Horses was listed as the world heritage in 1987.

  Firstly, I will give you a brief introduction about the master of this underground army—the First Qin Emperor. His name was YingZheng. By 210BC when he was only 39 years old. He had annexed all the six independent states and established the first centralized autocratic feudal empire in the long hist.

  兵马俑英语导游词(5)

  Emperor Qin Shihuang (259-210B.C.) had Ying as his surname and Zheng as his given name. He name to the throne of the Qin at age 13, and took the helm of the state at age of 22. By 221 B.C., he had annexed the six rival principalities of Qi, Chu, Yan, Han, Zhao and Wei, and established the first feudal empire in China’s history.

  In the year 221 B.C., when he unified the whole country, Ying Zheng styled himself emperor. He named himself Shihuang Di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. Since then, the supreme feudal rulers of China’s dynasties had continued to call themselves Huang Di, the emperor.

  After he had annexed the other six states, Emperor Qin Shihuang abolished the enfeoffment system and adopted the prefecture and county system. He standardized legal codes, written language, track, currencies, weights and measures. To protect against harassment by the Hun aristocrats.

  Emperor Qin Shihuang ordered the Great Wall be built. All these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. They had a great and deep influence upon China’s 2,000 year old feudal society.

  Emperor Qin Shihuang ordered the books of various schools burned except those of the Qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. As a result, China’s ancient classics had been devastated and destroy. Moreover, he once ordered 460 scholars be buried alive. Those events were later called in history“the burning of books and the burying of Confucian scholars.”

  Emperor Qin Shihuang,for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the Guanzhong Plain. These palaces stretched several hundred li and he sought pleasure from one palace to the other. Often nobody knew where he ranging treasures inside the tomb, were enclosed alive.

  Emperor Qin Shihuang’s Mausoleum has not yet been excavated. What looks like inside could noly be known when it is opened. However, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of Emperor Qin Shihuang’s Mausoleum was.

  Pit was stumbled upon in March 1974 when villagers of Xiyang Village of Yanzhai township, Lintong County, sank a well 1.5km east of the mausoleum. In 1976, No.2 and 3 Pits were found 20m north of Pit respectively after the drilling survey. The terra-cotta warriors and horses are arrayed according to the Qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. This discovery aroused much interest both at home and abroad. In 1975, a museum, housing the site of and covering an area of 16,300 square meters was built with the permission of the State Council. The museum was formally opened to public on Oct.1, the National Day, 1979.

  Pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. It is an earth-and-wood structure in the shape of a tunnel. There are five sloping entrances on the eastern and western sides of the pit respectively. The pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. Thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. The battle formation of the Qin dynasty, facing east. In the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. They are supposed to be the van of the formation. Immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. They are probably the main body of the formation. There is one line of warriors in the left, right and west ends respectively, facing outwards. They are probably the flanks and the rear. There are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from Pit.

  No.2 Pit sis about half the size of Pit, covering about 6,000 square meters Trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. The 2,000-year-old wooden chariots are already rotten. But their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. The copper parts of the chariots still remain. Each chariot is pulled by four horses which are one and half meters high and two metres long. According to textual research, these clay horses were sculptures after the breed in the area of Hexi Corridor. The horses for the cavalrymen were already saddled, but with no stirups.

  No.3 Pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. Now, No.2 and 3 Pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. The floors of both and 2 Pits were covered with a layer of silt of 15 to 20cm thick. In these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. Analysis shows that the pits were burned down by Xiang Yu, leader of a peasant army. All of the clay warriors in the three pits held real weapons in their hands and face east, showing Emperor Qin Shihuang’s strong determination of wiping out the six states and unifying the whole country.

  The height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. They look healthy and strong and have different facial expressions. Probably they were sculpted by craftsmen according to real soldiers of the Qin dynasy. They organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. The clay models were then put in kilns, baked and colour-painted. As the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. However, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. They are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.

  Thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. These weapons were exquisitely made. Some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. Since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. This indicates that Qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.

  In December 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of Emperor Qin Shihuang’s Mausoleum. These single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. The four horses harnessed to the chariot are 65-67 centimeters tall. The restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.

  The chariots and horses are decorated with coloured drawings against white background. They have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. Probably they were meant for the use of Emperor Qin Shihuang’s soul to go on inspection. The bronze chariots and horses were made by lost wax casting, which shows a high level of technology. For instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. According to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. The excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the Qin dynasty.

  No.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. After two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on October 1, 1983. bronze chariot hand horses are on display from 1988.


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